Marius Janusauskas, a fashion scholar, curator, and practitioner, engages in interdisciplinary research that merges academic inquiry with creative pursuits. His studies delve into decolonial aesthetics, queer masculinities, and care ethics, striving to decentralize fashion narratives and promote cross-cultural inclusivity. Utilizing image production techniques, Janusauskas scrutinizes the visual politics of identity, contests typologies, and binaries, and formulates novel approaches to gender representation in visual media. His curatorial activism and advocacy synthesizes cultural anthropology, identity politics, and sustainable design principles to broaden the scope and applications of fashion. Recognized for his integration of fashion, cultural history, and critical theory, Janusauskas concentrated on masculinity and queer studies. His scholarly contributions are exemplified by "Shimmering Aesthetics: Breaking the Gender Binary" (2024), published in Fashion Theory. In 2023, Janusauskas curated the exhibition Touch Me in Ghent and Mumbai, exploring the intersections of fashion, identity, and intimacy. His involvement in the 7th Edition of the Global Congress on Gender and Sexuality Studies (2025) in San Francisco and the Prosperity Fashion Conference (2025) at the University of Florence demonstrates his commitment to a global dialogue on gender and sexuality.